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2010年4月14日星期三

最可怕的是思念

有开始,必然会有结束,这是一个轮回。
有相爱,必然会有分别,这是一个轮回。
爱,或许是相同的。但分别永远不会那么的一致。
有人厮守一生,知道一方离开这个世界;而有人或许只是在一个错误时间,错误的地点,遇到了错误的人,于是在醒来后,分道扬镳。
而最可怕的事情往往就是在分道扬镳之后,或许会让人深陷其中,无尽的回忆着那些甜蜜的时刻。于是那种甜蜜开始变成毒药,慢慢的侵蚀着所有的一切。而更可怕的是,即便如此,依旧不能够,或者说是不愿意离开这种毒药。就像吸毒者对毒品的需求一般,必须要在更大的痛苦之后,才被迫放弃。
又在想她,在一些不经意的时候。
不想对任何人提起这种思念,或者是不愿意说,或者是害怕被视作“深闺怨妇”。
于是只好自己一个人慢慢的接受这种侵蚀,慢慢的越沉越深,以至于任何一点类似,哪怕只是看起来似乎相似都会瞬间将所有的思绪拉回到那些时候。
下班,坐车回家,公交靠站的时候,从窗口看出去,看到一个女孩,脸被冻得通红,很好看的样子。前一分钟还在看那个女孩,后一分钟就突然想起在北京的冬季里,她每每下班归来被冻得通红的脸,和大吵大叫着:“老公,拖鞋!”“老公,帮我脱裤子!”“老公,帮我脱衣服!”“老公,我饿,要吃饭!”
……
这些回忆,成了一种伤,深深的隐藏在心里,隐隐作痛。而自己却要想方设法的去压制住,因为不想打搅身边的人。

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Jewel_Hands




If I could tell the world just one thing
It would be that we're all OK
And not to worry 'cause worry is wasteful
And useless in times like these
I won't be made useless
I won't be idle with despair
I will gather myself around my faith
For light does the darkness most fear
My hands are small, I know
But they're not yours, they are my own
But they're not yours, they are my own
And I am never broken
Poverty stole your golden shoes
But it didn't steal your laughter
And heartache came to visit me
But I knew it wasn't ever after
We'll fight, not out of spite
For someone must stand up for what's right
‘Cause where there's a man who has no voice
There ours shall go singing
My hands are small I know
But they're not yours, they are my own
But they're not yours, they are my own
And I am never broken
In the end only kindness matters
In the end only kindness matters
I will get down on my knees, and I will pray
I will get down on my knees, and I will pray
I will get down on my knees, and I will pray
My hands are small I know
But they're not yours, they are my own
But they're not yours, they are my own
And I am never broken
My hands are small I know
But they're not yours, they are my own
But they're not yours, they are my own
But they're not yours, they are my own
And I am never broken
We are never broken
We are God's eyes
God's hands
God's mind
We are God's eyes
God's hands
God's heart
We are God's eyes
God's hands
God's eyes
We are God's hands
We are God's hands

2010年4月13日星期二

Sunday Morning Coming Down

Sunday Morning Coming Down 

Well I woke up Sunday morning, 
With no way to hold my head that didn't hurt. 
And the beer I had for breakfast wasn't bad, 
So I had one more for dessert. 
Then I fumbled through my closet for my clothes, 
And found my cleanest dirty shirt.  
An' I shaved my face and combed my hair, 
An' stumbled down the stairs to meet the day. 


I'd smoked my brain the night before, 
On cigarettes and songs I'd been pickin'. 
But I lit my first and watched a small kid, 
Cussin' at a can that he was kicking. 
Then I crossed the empty street, 
'n caught the Sunday smell of someone fryin' chicken. 
And it took me back to somethin', 
That I'd lost somehow, somewhere along the way. 


On the Sunday morning sidewalk, 
Wishing, Lord, that I was stoned. 
'Cos there's something in a Sunday, 
Makes a body feel alone. 
And there's nothin' short of dyin', 
Half as lonesome as the sound, 
On the sleepin' city sidewalks 
Sunday mornin' comin' down. 


In the park I saw a daddy, 
With a laughin' little girl who he was swingin'. 
And I stopped beside a Sunday school, 
And listened to the song they were singin'. 
Then I headed back for home, 
And somewhere far away a lonely bell was ringin'. 
And it echoed through the canyons, 
Like the disappearing dreams of yesterday. 


On the Sunday morning sidewalk, 
Wishing, Lord, that I was stoned. 
'Cos there's something in a Sunday, 
Makes a body feel alone. 
And there's nothin' short of dyin', 
Half as lonesome as the sound, 
On the sleepin' city sidewalks 
Sunday mornin' comin' down. 

2010年4月12日星期一

Joan Baez-Diamond And Rust





1941年1月9日出生于美国纽约Staten岛上.我们经常听到的与"民谣皇帝"Bob Dylan齐名的"民谣女皇"的称号就是指的Joan Baez.Baez作为民谣界女性权威演绎者的地位是在1959年Newprot民谣节上的演出后奠定的.她对民谣音乐的理解加上天生的近乎完美的嗓音使得她成为50年代之后民谣音乐中的一棵奇葩.这首歌曲是描述她与Bob Dylan之间浪漫的爱情故事,这首1975年的专辑DIAMONDS AND RUST是一张完全由Baez自己创作的专辑,其中的标题歌Diamonds and rust被认为是Joan Baez最出色的一首歌曲之一. 这首曲子是以Baez和Dylan当年亦师亦友的感情为主轴描写的一段Joan自己的感情.歌词或可说晦涩但却蕴含真情. 
--------------------------------------------------------
Well , I'll be damned .Here comes your ghost again
But that's not unusual
It's just that the moon is full and you happened to call
And here I sit, hand on the telephone
Hearing a voice I'd known, a couple of light years ago
Heading straight for a fall
As I remember your eyes
were bluer than robin's eggs
My poetry was lousy, you said
"Where were you calling from?"
"A booth in the Midwest"
Ten years ago I bought you some cufflinks
You brought me something
We both know what memories can bring
They bring diamond and rust
Well, you burst on the scene were already a legend
The unwatched phenomenon,
the original vagabond you strayed into my arms
And there you stayed ,temporarily lost at sea
The Madonna was yours for free
Yes, the girl on the half shell
Could keep you unharmed
Now I see you standing
with brown leaves falling all around
Snow in your hair
Now you're smiling out the window
of that crummy hotel over Washington Square
Our breath comes out white cloud mingles
and hangs in the air
Speaking strictly for me
We both could've died then and there
Now you're telling me you're not nostalgic
Then give me another word for it
You who're so good with words
and at keeping thing vague
Cause I need some of that vagueness now
It's all come back too clearly
Yes , I loved you dearly
And if you're offering me diamonds and rust
I've already paid
译文:
钻石与陈锈 
哦!你的魅影又再度出现
但这并非不寻常 只因今夜月圆
你又恰巧来电
我静坐在此 手握话筒
听着我曾熟悉的声音
那已是几个光年以前 一场注定的悲剧
依稀记得你那双蓝过知更鸟蛋的眼睛
你说我的诗作糟透了
“你从哪儿打通这电话?”
“在中西部一处无名的电话亭”
十年前 我送过你纽扣 你亦送了我些什么
我们都知道回忆的力量
令人珍惜如钻石的永恒 又容易变质如陈锈斑斑
当你在我面前骤现
已然是一则传说 一种未提防的现象
一个真正的流浪者
你飘飘荡荡进入我的臂膀
在那儿 你的停留一如海上之短暂迷航
有着圣母的眷顾 以及爱神的保护
现在 我看到当年的你 伫立在黄叶纷飞中
白雪覆发 你微笑着
在那远眺华盛顿广场的小旅馆前
我们的鼻息如白云般交织凝结在冷空气中
在我来说 那时我们几乎阵亡
如今你对我说 你不爱感伤念旧
那么请你另找一个字眼来代替
你向来善于文辞与暧昧不明
而现在的我 急需那种暧昧不明
因为过去的一切显得太清晰且刺眼
是的 我曾挚爱过你
而如果你现在奉上钻石与陈锈
我会告诉你 我已付出过代价了

Nick Lucas-Side By Side 1944


2010年4月11日星期日

Hello, Dolly!


Gene Kelly, Barbra Streisand, Louis Armstrong


Hello, Dolly! is a musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955.
Hello, Dolly! was first produced on Broadway by David Merrick in 1964, winning the Tony Award for Best Musical and nine other Tonys. The show album Hello, Dolly! An Original Cast Recording was inducted into the Grammy Hall of Fame in 2002. The show has become one of the most enduring musical theatre hits, enjoying three Broadway revivals and international success. It was also made into a 1969 film that was nominated for seven Academy Awards.